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2019 unmarried by Billie Eilish

"All the Good Girls Go to Hell"
Eilish is with big wings, covered in black oil. Walking through a road alone, as fires around her erupt.
Single by Billie Eilish
from the album When We All Autumn Asleep, Where Do We Go?
Written 2016–2018
Released September vi, 2019 (2019-09-06)
Genre Pop
Length ii:48
Label
  • Darkroom
  • Interscope
Songwriter(due south)
  • Billie Eilish
  • Finneas O'Connell
Producer(southward) Finneas O'Connell
Billie Eilish singles chronology
"Bad Guy"
(2019) 		"All the Skilful Girls Go to Hell"
(2019) 		"Everything I Wanted"
(2019)
Music video
"All the Good Girls Go to Hell" on YouTube

"All the Good Girls Get to Hell" (stylized in all lowercase) is a song by American vocalizer Billie Eilish from her debut studio album, When We All Autumn Asleep, Where Do We Get? (2019). The song was written by Eilish and her brother Finneas O'Connell, while the latter solely handled the production. Information technology was released past Darkroom and Interscope Records on September half-dozen, 2019, as the sixth single from the anthology.

A pop rails, "All the Good Girls Go to Hell" sees Eilish sing well-nigh climate modify and have the point-of-view of the Devil and God who antagonize the human being race for destroying the earth. The song received generally favorable reviews from music critics, with many praising the lyrics and production. It entered at number 46 on the US Billboard Hot 100 and number 77 on the United kingdom Singles Chart. Internationally, the song has peaked within the tiptop five of 4 countries. The song has received several certifications, including beingness certified platinum in the United states by the Recording Industry Association of America (RIAA).

The accompanying music video was directed by Rich Lee and uploaded to Eilish's YouTube aqueduct on September 4, 2019. Information technology sees Eilish walk down a deserted road, completely covered in oil, every bit flames erupt around her. The video received positive reviews, with critics praising the visual'southward message near climatic change. Eilish has promoted "All the Proficient Girls Go to Hell" by performing it live at festivals, including the Coachella Valley Music and Arts Festival (2019), and Glastonbury Festival (2019) too every bit during Eilish'south When We All Autumn Asleep Tour (2019) and Where Do We Go? World Tour (2020).

Background and release [edit]

In an interview with Vulture, Eilish's brother Finneas O'Connell, known under his stage proper name of Finneas, said the song'southward lyrics are about climatic change, God, and the Devil, every bit well as "the idea that humans take made such a mess of the planet at this bespeak that they're both talking to each other like, 'What'due south going on? Why did they practise all of this?'"[1] Elaborating on this in an interview with MTV, Finneas said he and Eilish thought information technology would be fun to write a song from the perspective of the devil or god, who would be looking downward at humans and be disappointed in them for destroying the Earth. He continued, maxim them looking downward is a consequence to humans for their actions.[2] Eilish told Howard Stern during an interview on The Howard Stern Prove that the chorus to "All the Good Girls Go to Hell" was written in 2016, while the rest was written and recorded in 2018.[3]

Eilish shared an Instagram story on March 25, 2020, that featured a playlist of her inspirations for the track, saying "You Should Come across Me in a Crown", "My Strange Habit", and "All the Skillful Girls Go to Hell" kind of "inspired themselves".[4] In April 2020, during a 50-minute Verizon livestream, Eilish explained the pregnant of "All the Good Girls Go to Hell": "The deeper meaning of the song is almost global warming and climate strike and what'due south actually important. This song is about the globe and trying to save it, and people not believing that it needs to exist saved."[5]

"All the Good Girls Get to Hell" was written by Eilish and Finneas, with the latter handling product.[6] The song was mastered by John Greenham and mixed by Rob Kinelski, both of whom also served as studio personnel.[6] "All the Practiced Girls Get to Hell" was released on Eilish's debut studio album When We All Fall Asleep, Where Practise We Go?, as the fifth track on March 29, 2019.[seven] The song was afterward released as the album'southward 6th unmarried on September 6, 2019, accompanyied past a music video release.[8] Additionally, Universal Music Group sent it to Italian gimmicky hit radio format the aforementioned day.[9] In early October, the track impacted American alternative and mainstream radios.[x] [11] A flexi disc and cassette for the vocal were released via pre-order to ship in the following four-to-six weeks. The releases came with a digital single that was delivered to customers in the U.s.a. through email.[12] [thirteen]

Composition and lyrics [edit]

"All the Adept Girls Go to Hell" was described as a pop rail by music critics.[xiv] [15] Neil Z. Young of AllMusic noted the song'southward "playful bass strum" that manages to "pull some G-funk effects into its orbit",[sixteen] while Robert Christgau of Vice magazine mentioned the song features "plinked piano".[17] The staff of NME commented that "All The Skilful Girls Go To Hell" is "powered by bright pianos, off-the-wall synths and bass from Finneas in the second verse",[fifteen] and Jason Lipshutz of Billboard said Eilish's "stuttering words about decease and desire lilt over the dripping beats of the propulsive".[18] Chris Darville of Stereogum mentioned the song is "built effectually the frequently-recycled notion that eternal damnation must be a much more than interesting destination than boredom behind the pearly gates."[14]

Lyrically, the song sees Eilish forsake heaven for hell: "My Lucifer is solitary."[xix] She mocks and walks away from heaven, saying: "Pearly gates [that] look more than like a picket fence" and turning towards the dark side.[19] Eilish likewise references Saint Peter, who is the keeper of the gates to heaven.[20] "All the Skillful Girls Become to Hell" references Catholicism, with Eilish explaining that her degeneracies will get unpunished by the saints since "Peter's on holiday, an open invitation."[19] Tanis Smither of Earmilk stated Eilish manages to "satirize both fame and the American dream as well as chastise adults twice and three times her age for climatic change, noting that she quips: 'Man is such a fool, why are we saving him?'"[20] The lyrics also make explicit reference to sea level rise and wildfires in California, both of which are linked to climate change.[21]

Critical reception [edit]

"All the Skillful Girls Go to Hell" has received mainly positive reviews from music critics. Madeline Roth of MTV described the song as a "jaunty, stuttering gem".[2] Jon Pareles from The New York Times viewed the song as a "mocking, music-hall" track.[22] Kenneth Womack of Salon magazine labeled the track as "playful".[23] Christopher Thiessen from Outcome of Sound named "All the Good Girls Become to Hell" one of the essential tracks on When We All Fall Asleep, Where Exercise We Get? and called it a "banger".[24] Roisin O'Connor, in his review for The Independent, had negative thoughts for the album's first four tracks, saying it "takes until track five – 'All the Good Girls Go to Hell' – for the album to get together any kind of momentum".[25] In Disharmonism, Yasmin Cowan described the vocal's title as "misleading" and "genius".[26] musicOMH writer John Irish potato stated that Eilish's rails "Xanny" has an "appropriately narcotic haze [that] makes y'all yearn for the party anthems like 'All The Good Girls Become To Hell'".[27] In 2020, The New York Times listed the song in their top 10 list of songs virtually climate change.[21]

Writing for NME, Thomas Smith commended the song'southward chorus, saying it proves to exist a "sparkling precious stone with jaunty piano and stuttering beats".[28] David Opie of Highsnobiety wrote that "All the Good Girls Become to Hell" is "full of subversive lyrics that slither across the beat".[29] Sean Ward, for The Line of Best Fit, compared the song to the Spice Girls "Say You lot'll Be There" (1996), and interpreted information technology as existence a "haunted" version of the latter. He farther noted Eilish's distorted vocals "whispering the ungodly hook of 'my Lucifer is lone'" and that she "flips so effortlessly betwixt religious metaphor and relationship disputes, using the two to enhance the track's overall narrative".[30]

Insider 's Libby Torres described information technology as an "accented gem", saying that "Eilish's invitation to come up and join her and her friends in hell sounds pretty damn appealing".[19] Jules LeFevre, writing Junkee mag, placed the song at number xvi on her Every Billie Eilish Song Ranked From Worst To All-time listing, saying the "dark Christian imagery fits Eilish's aesthetic like a black glove" while commenting that the vocal is "let down slightly by the lack of differentiation in rhythm and melody", leaving you "hoping that something would elevator it off the footing, but it never happens".[31]

Commercial performance [edit]

Following the release of When We All Fall Asleep, Where Do We Get?, "All the Good Girls Go to Hell" debuted and peaked at number 46 on the US Billboard Hot 100.[32] At the same time, Eilish bankrupt the tape of almost simultaneous Hot 100 entries for a female artist.[33] Following its release equally a radio single, the vocal reached number 20 on the Us Billboard Mainstream Top 40 chart and number fifteen on the The states Stone Airplay nautical chart.[34] [35] It has been certified platinum by the Recording Industry Clan of America (RIAA), denoting track-equivalent sales of 1,000,000 units in the U.s.a. based on sales and streams.[36]

On the Canadian Hot 100, "All the Good Girls Go to Hell" peaked at number 19, and information technology was certified platinum past Music Canada (MC) for shipments of over eighty,000 copies in Canada.[37] [38] After its release every bit a single, the vocal peaked at number 77 on the Uk Singles Chart.[39] It was later certified gold by the British Phonographic Manufacture (BPI) for selling over 400,000 units in the U.k..[xl] "All the Good Girls Go to Hell" has peaked inside the top 10 in Australia,[41] Greece,[42] and New Zealand.[43] It has further peaked within the top v in Republic of latvia,[44] Lithuania,[45] Slovakia,[46] and Estonia.[47] The song was ultimately certified gold by the Recorded Music NZ (RMNZ) for shipments of over 15,000 copies in New Zealand.[48]

Music video [edit]

Background [edit]

Eilish teased a music video for "All the Adept Girls Go to Hell" with a prune of an image that said "haven't you been waiting long plenty?" in September 2019.[49] Her final teaser told people who were in New York to head to Times Square and check the screens at 4:00 pm.[49] The music video was released through Eilish's YouTube channel the following day.[50] Information technology was directed by Rich Lee and filmed in Los Angeles, California.[51] [52] In an Instagram post, the video'southward stylist talked almost the filming and how it was hard.[53] She revealed that Eilish "suffered greatly for this beauty, hanging off a crane and dragging 25 foot long wings saturated in black slime weighing much more than her in agonizingly long takes".[53] The stylist farther added that Eilish thought of the concept and put in a lot of effort to fully empathize it.[53]

Elle Hunt of The Guardian noted that a closer inspection of the lyrics suggests that the song (and by extension, the music video) references global warming, and Eilish herself alluded to this by posting a personal annotation in the video clarification rallying her fans to attend global climate strikes on September 20 and 27, 3 days before the 2019 UN Climate Summit in New York City, while also asking them to support Greta Thunberg's Climate Strike.[54] Eilish said: "There are millions of people all over the world begging our leaders to pay attending. Our earth is warming upward at an unprecedented rate, icecaps are melting, our oceans are rising, our wildlife is being poisoned and our forests are burning."[51] [55] In September 2020, Eilish announced an "All the Good Girls Go to Hell" figure that measured six inches tall, and was affixed with behemothic demon wings. Her website explained the effigy was in "eco-friendly" packaging that also "transforms into a dioramic display".[56]

Synopsis [edit]

Eilish walks down a deserted route, completely covered in oil, equally flames erupt around her.

The music video picks up where "Bury a Friend" left off, opening with a shot of syringes being used to stab Eilish's back by a team of medical workers.[57] [58] She sprouts a pair of giant white wings from her back.[8] [59] When attempting to fly, Eilish falls down from the sky and lands on Globe into a huge oil spill, symbolizing the threat of wildlife being destroyed when humans pollute the surroundings.[52] [59] [threescore] She gets stuck, with her white wings and eyes starting to fill with oil as she struggles to crawl out of the pit.[60]

She tries to break free from the oil, but struggles to do then.[8] [59] She barely manages to escape from the oil spill and emerges, with her unabridged body and white wings existence now covered with the black oil.[59] Eilish stares in disbelief at the world and starts to walk towards a dimly lit, deserted clay road as her transformation continues.[57] [61] Every bit Eilish continues to walk down the road, she begins to exit a trail of oil on the ground, which presently begins catch on fire.[57] Her now black wings also become assault fire.[61] Eilish still continues to aimlessly stumble down the route and towards the camera.[62] She frowns at the camera and turns around; her wings are now burnt and brainstorm to twitch. The fire continues to spread throughout the expanse.[62] Silhouettes of women dance in the fires around Eilish, representing people who don't intendance about global warming, as she walks alone into the night.[57] [61]

Reception [edit]

Uproxx'southward Derrick Rossignol wrote that the visual is "total of burn and darkness".[63] Lauren Rearick, writing for Teen Vogue, said it "might just rival the trailer for It Chapter Two as the most terrifying affair we've laid eyes."[61] Brittany Spanos of Rolling Stone described the visual as "fiery",[viii] while both Trey Alston of MTV and Carolyn Twersky of Seventeen called information technology "creepy".[62] In his review for Culling Press, Alex Darus viewed the video as "pretty trippy".[49] Writing for Hot Printing, Selina Juengling labeled it as "spooky", "nighttime", and "out of this world".[64] Bustle 's Marenah Dobin stated the video is "more than than but a music video".[59] Brock Thiessen of Exclaim! wrote that the visual is "incredibly nighttime".[65] Elite Daily 'southward Sade Spence called it "weird" and "eerie", while praising the music video equally a "perfectly dark visual of the hellish lyrics that seem to talk about man's inability to human action right".[66] Katrina Nattress of iHeartRadio described the video every bit "nightmarish".[67] The music video was nominated at the 2020 MTV Video Music Awards for the awards of Best Cinematography, Best Visual Affects, and Video For Good.[68]

Credits and personnel [edit]

Credits adapted from Promonews.[69]

Product companies [edit]

  • Drive Studios – production company
  • Exile Edit – post production company
  • Sound Brigade – sound mix

Personnel [edit]

  • Rich Lee – director
  • Michael Angelos – producer
  • Justin Diener – executive producer
  • Michael Shores – mail service producer
  • Christopher Probst – director of photography
  • Brandon Mendez – product manager
  • Dennis Ivarsson – gaffer
  • Kaiyoti Pesante – fundamental grip
  • Christian Corio – set decorater
  • Robbie Duncan – props
  • Samantha Burkhart – stylist
  • Tammy Yi – hair stylist
  • Rob Rumsey – make-upward stylist
  • Hanny Eisen – makeup FX
  • Ari Robbins – steadicam
  • Rich Lee – VFX supervisor
  • Louise Lee – VFX team member
  • Anika Morris – VFX squad fellow member
  • Jean Delauney – VFX team member
  • Casey Benn – VFX team member
  • Clark Jackson – VFX team member
  • Sean Struble – VFX team member
  • Ben Thronburgh – VFX squad fellow member
  • Grant Surmi – editor
  • Dustin Zimmerman – edit assistant
  • Christopher Probst – colorist
  • Jevon Dismuke – set dresser
  • Lelan Berner – wing fabrication
  • Brittani McNeal – contact lens tech
  • Craig Rosales – water feature
  • Rene Diamante – pyro
  • Chris Moore – flame creative person
  • Chris deChristo – flame creative person

Alive performances and other usage [edit]

To promote "All the Good Girls Go to Hell", Eilish performed it at the Coachella Valley Music and Arts Festival in April,[lxx] at the Glastonbury Festival in June,[71] and at Pukkelpop in August 2019.[72] The song was included on the setlist of Eilish's 2019 When Nosotros All Fall Comatose Tour.[73] In September 2019, Eilish and Finneas performed the song on The Howard Stern Show.[iii] She performed the song at the American Music Awards of 2019 on November 24, making her kickoff always award show performance. The singer started out seated, whispering the song'southward intro equally Finneas played piano. Finneas laterswitched to playing bass guitar every bit Eilish jumped up and danced effectually the stage, against a groundwork of flames. As the performance ended, Eilish stared into the camera and stuck her natural language out as the stage was devoured by flames.[74] Eilish released an acoustic version of "All the Good Girls Get to Hell" as function of her live album Live at Tertiary Homo Records on Dec 6, 2019.[75] In the same month, Eilish performed "All the Proficient Girls Become to Hell" at the Steve Jobs Theater for the starting time almanac Apple Music Awards afterward she won artist of the year.[76] The rail was also included on the setlist of her 2020 Where Do We Go? Earth Tour.[77] In April of that year, Eilish and Finneas performed the song during the 50-minute Verizon livestream.[78] The song is used in the trailer for the 2019 film Saint Maud,[79] and is featured in the 2020 rhythm game Just Trip the light fantastic toe 2021.

Credits and personnel [edit]

Credits adapted from Tidal and the liner notes of When We All Fall Asleep, Where Practice We Go?.[6] [lxxx]

  • Billie Eilish – vocals, songwriter
  • Finneas O'Connell – bass, piano, drum programming, synthesizers, producer, songwriter
  • John Greenham – mastering engineer, studio personnel
  • Rob Kinelski – mixer, studio personnel
  • Casey Cuayo – banana mixer, studio personnel

Charts [edit]

Certifications [edit]

Release history [edit]

References [edit]

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